Pedro García Campos | Rototom Sunsplash

Pedro García Campos

Pedro García Campos

Pedro García Campos is a journalist and content creator. Since 2014 he has been a collaborator of Vice.com, editor of Vice News and host of different formats, from VICE & HBO for DMAX to DIARIO VICE for channel # 0 Movistar. In Spain Pedro has produced the videos of Vice on Cannabis since 2014, with titles such as ‘CBD: the Cannabis light’, ‘El Cancador de Marihuana’ or ‘Cannabis Therapy’.

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Areas:

Main Stage

Our Main Stage features the cream of the international reggae crop

Lion Stage

The perfect blend of emerging and outstanding artists of the reggae scene and other music styles

Dance Hall

Sound system yard. Juggling style, whistles, sirens and the latest dance steps

Dub Academy

Powered by Canna

Echoes, effects remixes… big vibration roots and dub with a unique sound system.

Jamkunda Stage

Jamkunda Club promises nights jammed with afrobeats, afrohouse, dancehall, funk and disco music.

SunBeach

Free music and activities at Solé Rototom Beach

Social Forum

The space where you can reflect freely with prestigious speakers on how to build a better world together

Reggae University

Gathering academics, artists, producers, authors and general audience

Jamkunda

Decolonizing minds through art, talent and care for elements

Pachamama

A journey of personal growth and reconnection with Mother Earth from the values of sustainable development, agro-ecology and health

Magico Mundo

Share, grow and learn with spontaneous play and experiences as a means

House of Rastafari

Meeting point for persons interested in the Rastafarian culture

the Social Art Gallery

A refreshing cocktail of art, creativity, social awareness and artistic creation live

Teen Yard

The space where teenagers are the protagonists

ArteSano Market

Ancestral arts and crafts and workshops for all ages

Non Profit

The essence of Rototom: volunteering, cooperation, social commitment, solidarity

Open-air Market

A picturesque market-place consisting of over one hundred stalls